Camberwell College of Arts UAL
Specialisms: Printmaking / Painting / Drawing
Location: Hong Kong, Hong Kong
First Name: Yin Yung Sabrina
Last Name: Pun
Specialisms: Printmaking / Painting / Drawing
Sectors:
My Location: Hong Kong, Hong Kong
University / College: Camberwell College of Arts UAL
Course / Program Title: BA (Hons) fine ARt: Painting
I am a fine artist. My style was inspired by mythological and ancient art, frescoes and Tibetan iconography, cartography and graphic matter. I aim to bring out the urgency of establishing balance between the living, the surroundings and the unknown, and prophesy about a potential discourse brought to us by the invisible forces and concepts that are essential to our being.I create artworks using acrylic, oil and ink, as well as using etching and mezzotint that demonstrate a high level of detail. Presented visually using compositions of cartography and frescoes to create impressions of wildness and a sense of free flow within constricted execution, juxtaposing and exploring concepts of paradox and balance. By exploring themes such as time, passage and existence, I want to re-examine the interconnectivity between relationships; how humans interact with their surroundings throughout history. Inspired from ancient mythologies and games art, I speculate fiction and the unknown, examining the interdependency between beings and mankind’s relationships with the environments.
Within my works in practice, each artwork tells a story of how manifestation and becoming is a procession, in turn each procession births manifestation. This endless cycle ultimately held balance in equilibrium, determining the mechanics of existence through paradoxical forces in play. Even within making each piece of work, I am drawn into how the making represents a procession from nothingness to full realisation, and as a result manifests and speaks out the works' uniqueness. I witnessed how my ideas evolve with the inspirational materials they come across, thus manifesting all the more mysterious. However, they desire close attention from outsiders' eyes, to observe every minuscule detail that allows the mechanism along the artistic surface to conduct its duty and prophecy.