Arts Thread

Ghost Trains speaks about the violence that ensued during the Partition of India in 1947, after 200 years of British colonial rule. There were communal riots all over the country – but in particular on the trains that carried refugees across the borders. These “Ghost Trains” would leave their place of origin packed with people squeezed into compartments or sitting on the roof, but would arrive at their destination full of corpses, silent and bloody. This historical event shaped generations to come and isn’t often talked about outside of our own South Asian education. I wanted to emphasise the sheer scale of the people who were killed during Partition on these trains and also play up the sooty, coal-like, harrowing nature of the whole experience. These prints are screen-printed with charcoal and overlaid with linocut stamps.

Avial is a 32-page comic book that tells the story of several people living in a building complex in India, told through contextual sound. It weaves the story of a person making the dish Avial*, along with smaller glimpses into the lives of the different people living in the same building complex. Through various visual storytelling techniques, I explore connection, loss, and societal pressure in a South Asian context and how to find universality in the specific. It is supplemented by an audio file that gives you a soundscape while reading the book. *Avial (n) – A South Indian thick stew of different vegetables commonly found in the Western Ghats, seasoned with coconut oil and curry leaves.

Shree was the outcome of a 3-month long project for an elective at GSA - Worlding Fictions and Fictional Worlds. The brief was to create a portfolio based on the idea of "fictioning" - exploring real-world problems through the analysis of fiction through a feminist and decolonised lens. I created a visual development portfolio for a prospective animated film, set in an alternative future where India had not been colonised by the British Empire. It is a work in progress, but below is the portfolio I submitted as the final outcome for the elective.

This is a cover for Three Lives by Gertrude Stein. It was done as part of a brief for Stage 1 of my MDes in Communication Design at GSA. Since Three Lives is about three working-class women in the early 20th century, I wanted the cover to reflect the kind of labour of the time. The whole cover is embroidered on canvas stained with ironing marks and then digitally laid out. I also created a tablecloth-like pattern to extend into the flaps of the book jacket or as an end page. I tried to hand embroider as many aspects of the book as possible, including the main text, and the penguin logo.