Birmingham City University
Graduates: 2025
Specialisms: Costume Design - Stage Screen Dance / Sustainable Fashion/Textiles / Fashion Illustration
My location: Birmingham, United Kingdom
First Name: Amber
Last Name: Edmunds
University / College: Birmingham City University
Course / Program: ba (hons) costume design and practice
Graduates: 2025
Specialisms: Costume Design - Stage Screen Dance / Sustainable Fashion/Textiles / Fashion Illustration
My Location: Birmingham, United Kingdom
Website: Click To See Website
The name of this collection comes from my research into Post humanistic philosophy, and the idea that concepts like AI were once only thing in dreams, but now it’s found in most, if not all of our modern day industries. The development of this technology echoes a future of existence beyond human. Each book in the collection is named after a song from the band Starset, which is the band that inspired the idea of the whole project. Starset are a cinematic, sci fi rock band with a fictional world that has links to real world examples of dystopia. For example, in this world, humans have BMI (Brain Machine Interface) that is eerily similar to the Neuralink brain reading threads that Elon Musk developed. From this research, I explored post humanistic philosophy (where does the human end and the ‘other’ begin). This philosophy inspired a lot of fashion collections, particularly those of Alexander McQueen. I also briefly explored the opposing theory of Transhumanistic Philosophy (improving natural human characteristics through biotechnology and cognitive modifications) which links back to the works of people like Musk. The entire collection is made from scrap denim and Leather fabric, with the exception of the lining fabric in two costumes, none of the fabric was brand new. However, all of the fabric used is sustainable and used in environmentally conscious ways to produce the smallest amounts of waste possible. The materials of choice were largely inspired by the fashion company Demobaza, a company who Starset have used in the past to source parts of their stage costumes. I have tried to ensure the collection does not discriminate against any individual or group. Inclusivity is important to me as a designer and so all of my work is genderless and can be worn by any individual or group of people who would wishes, regardless of race, gender or other backgrounds. However, the target audience for this collection is Musicians, with the intention being that they are suitable for stage wear or in music videos. Essentially, my graduate collection challenges the oversaturation of Artificial Intelligence in design work and the creative industries