faith phang
Communication Design Diploma
Temasek Polytechnic School of Design
Specialisms: UX Design / Interaction Design & Game Design / Digital Design
Location: Singapore, Singapore
faith phang
First Name: faith
Last Name: phang
Specialisms: UX Design / Interaction Design & Game Design / Digital Design
Sectors:
My Location: Singapore, Singapore
University / College: Temasek Polytechnic School of Design
Course / Program Title: Communication Design Diploma
About
Fresh Graduate of the 2026 Class and a Designer and Creative Technologist with 3+ years of professional experience in graphic design, interactive media, and emerging technologies since 2022.
My work spans across branding, social media, print advertising, apparel graphics, projection mapping, creative coding, web design, and interactive installations. Combining visual communication with technology, I use tools such as Adobe Creative Suites, ComfyUI, Unity, TouchDesigner, and front-end development to create engaging experiences across physical and digital spaces. Driven by curiosity, I enjoy experimenting with new tools and workflows while exploring how technology can expand creative expression and human connection. Always curious, always experimenting, and always looking for new ways to bridge design and technology.
The Digital Craftsman is a code based, modular creative application developed as a customisable toolbox for digital designers. Created in response to increasingly automated and subscription-driven creative ecosystems, the project repositions the designer as an active shaper of systems rather than a passive user. Operating locally and free from paywalls, the application prioritises agency, transparency, and adaptability. Through this structure, The Digital Craftsman explores authorship, craft, and intentional making in the age of intelligent digital tools. Ultimately, Digital Craftsman is both a tool and a position, it explores intentional making in the age of intelligent systems, not by stepping away from digital tools but by learning how to shape them consciously. The world of design in the age of technology might continue to be efficient and continue to be automated, but craft survives where awareness begins, and The Digital Craftsman is my response to that tension.
Competitions
