Arts Thread

Kseniya Khamiankova
scenography (theater & cinema)

Vilnius Academy of Arts

Graduates: 2026

Specialisms: Photography / Installation/Sculpture / Set Design - Stage Screen Dance

My location: Vilnius, Lithuania

Ксения Хоменкова ArtsThread Profile
Vilnius Academy of Arts

Kseniya Khamiankova

Ксения Хоменкова ArtsThread Profile

First Name: Kseniya

Last Name: Khamiankova

University / College: Vilnius Academy of Arts

Course / Program: scenography (theater & cinema)

Graduates: 2026

Specialisms: Photography / Installation/Sculpture / Set Design - Stage Screen Dance

My Location: Vilnius, Lithuania

Website: Click To See Website

About

Kseniya Khamiankova (theatricalhunt) is a visual artist and scenographer based in Vilnius,working at the intersection of scenography, fine art photography, and spatial installation,exploring the transformation of theatrical language - mask, costume, mise-en-scène -beyond the boundaries of the traditional stage. At the centre of her practice is theinvestigation of liminal states and the anxiety that arises from the destabilization of everydayspace. Between 2024 and 2026, at the Vilnius Academy of Arts, she created a project "UnsettlingInterpretations Beyond the Theatrical Stage," based on Franz Kafka's "The Metamorphosis,"presented as a photo-series and spatial installation at the VDA Library (2026). Her work hasalso been shown at the Prague Quadrennial (2019), Panemunė Castle (2022), Kaunas StatePuppet Theatre (2023), and the Theatre and Cinema Museum in Vilnius (2024).

Unsettling Interpretations Beyond the Theatrical Stage

It's a photographic installation based on Franz Kafka's novella The Metamorphosis. It is not an illustration of the text and not a retelling of Gregor Samsa's story. It transfers the central state of the novella - the experience of a person who has become a stranger in their own home - from the literary page into a real physical space.I am interested in moments when one medium begins to act by the rules of another - when photography works by the logic of cinema and theatre, when a wall starts to function as a page, when a corridor starts to function as time. I do not want to explain anxiety. I want to build the conditions in which the viewer can meet it on their own - or meet something else entirely. The work does not give a ready-made reading. It gives space for reflection. The project was shot in an abandoned apartment on Bokšto Street in the Old Town of Vilnius. The apartment had stood empty for many years: peeling walls, dirty windows, Soviet furniture, the smell of stopped time. I did not need to build a set - the space was already speaking the language of Kafka.