Arts Thread

Laura A Dima
Art science MA

Royal Academy Of Art The Hague KABK

Graduates: 2025

Specialisms: Installation/Sculpture / Art Performance / Digital Arts

My location: Den Haag, Netherlands

laura-a-dima ArtsThread Profile
Royal Academy Of Art The Hague KABK

Laura A Dima

laura-a-dima ArtsThread Profile

First Name: Laura A

Last Name: Dima

University / College: Royal Academy Of Art The Hague KABK

Course / Program: Art science MA

Graduates: 2025

Specialisms: Installation/Sculpture / Art Performance / Digital Arts

My Location: Den Haag, Netherlands

Website: Click To See Website

About

I am an ArtScience MA graduate from the Royal Academy of Art in the Hague, The Netherlands and I am creating interactive sculptures for human connection within a techno-feministic frameworkMy practice is driven by a deep interest in social dynamics, inter-personal relationships and emerging technologies. My work critically engages with issues of consent, power dynamics, privacy, ethics of technology and boundaries within mediated intimacies - while also seeking to better understand our relationship to the body and how technology can be used as an empowering tool.

The Alien Between Us is an interactive art installation by multimedia artist Laura A Dima, that explores how technology can facilitate intimate remote interactions beyond traditional communication. The installation features two identical sculptures resembling alien organs or foetuses, which serve both as visual metaphors and interactive devices. Two participants enter from opposite sides and engage with the sculptures without seeing each other. Their interaction is mediated through haptic technology and the live stream of bio-data such as heart and breath rate. The sculptures become animated by the presence of the visitors and their physiological data, detected using radar sensors. This technology captures biometric signals, such as heartbeat and breath rate, and transmits them to the other participant where the feedback is simulated. In this way, they feel each other’s bodily rhythms, as well as temperature, through the sculptures which they can hold in their arms like a baby. The data is interpreted and visualised via light, vibration, and movement. With this research, the artist moves away from binary concepts surrounding consent like yes/no and instead thinks that it should be more fluid, inferred rather than explicitly requested. If one participant experiences discomfort or stress, their biometric signals shift, and this change is made visible through the sculpture’s behaviour. This invites both parties to attune to one another and adjust their behaviour somatically. The resulting feedback loop fosters a form of embodied care and responsiveness, leading to a new understanding of intimacy and consent through mutual regulation. Additionally, a built-in self-defence mechanism gets activated when abusive behaviour is detected with an electrical stimulation delivered to the participant’s hand, making them unable to touch for a few seconds.