Arts Thread

Saffron Summerfield
Ceramics & Glass MA

Royal College of Art

Graduates: 2023

Specialisms: Ceramics / Sculpture / Fine Art

My location: London, United Kingdom

saffronsummerfield ArtsThread Profile
Royal College of Art

Saffron Summerfield

saffronsummerfield ArtsThread Profile

First Name: Saffron

Last Name: Summerfield

University / College: Royal College of Art

Course / Program: Ceramics & Glass MA

Graduates: 2023

Specialisms: Ceramics / Sculpture / Fine Art

My Location: London, United Kingdom

About

Saffron Summerfield is a multimedia practitioner currently working in the medium of ceramics. She received a First-class Honours BA in Contemporary Arts Practice from Bath School of Art (2020). Since completing her BA, she has embarked on two residencies at the Guldagergaard international ceramics research centre, Denmark, during 2021 and 2022. Saffron’s is also a previous winner of the Potclays Graduate Award (2020)Her current practice is centred around ‘speculative futures’ investigating narratives surrounding ‘object histories’ through imagined world building, both dystopian and utopian. The sculptures themselves are an amalgamation of the familiar and unfamiliar. Once produced, my ceramic creations become petrified (an anticipation of our story told in rock), a vision or premonition serving as a message to a future beyond our knowledge. Inert objects in the environment; impermeable, persistent, permanent, outliving us to tell a story of our relationship with Earth.

"Technofossil"; objects manufactured specifically for human use, to facilitate or enhance contemporary existence, and having outlasted their useful function, are thoughtlessly discarded into the environment. Like fossils, these objects will become embedded in currently forming geological strata leaving traces of themselves.
 Geologists have already used these objects to propose a name for our era, calling it the "Anthropocene" (trans. the human epoch).
 In the process of making the work I am able to decontextualize these objects and subvert their function by casting; reproducing sections in clay, then applying them to the surface of my hand-built forms. The sculptures themselves are an amalgamation of the familiar and unfamiliar. Once produced, my ceramic creations become petrified (an anticipation of our story told in rock), a vision or premonition serving as a message to a future beyond our knowledge. Inert objects in the environment; impermeable, persistent, permanent, outliving me to tell a story of our failed relationship with our Earth. A warning of a post-apocalyptic world where, through human activity, life on earth has vanished and all that remains are enigmatic ghostly traces of our long-gone 'civilisation'.