Friedrich-alexander-university of erlangen-nuremberg
Graduates: 2025
Specialisms: Painting / Fine Art / Painting
My location: Berlin, Germany
First Name: Melanie
Last Name: Bäreis
University / College: Friedrich-alexander-university of erlangen-nuremberg
Course / Program: Master of Arts
Graduates: 2025
Specialisms: Painting / Fine Art / Painting
My Location: Berlin, Germany
Website: Click To See Website
This collection of ten artworks showcases Melanie Bäreis’s signature ultra-contemporary practice, operating at the intersection of figurative oil painting and magic realism. Each artwork is hand-painted in oil on canvas. The series "Evidence of Time" understands the handpainted image as a timeless space of resonance, transforming the canvas into a metaphysical arena where time softly pleats into layers. The title serves as a metaphor for how only a painting is able to create these distinctive symbolic, and luminous focal points, from which a faint, almost surreal whisper - Susurros - travels through epochs. At its core, the work series evocatively renders how the painting is able to create the exact, visceral moment when a viewer, across years and distances, looks at the work and feels naturally drawn into the canvas by a subtle, yet energetic susurration. All of the ten large-format canvases function as sensitive projection screens for contemporary existential questions, fundamentally challenging the perspective of both the protagonists and the observers. The works, driven by their vigorous perspectives, capture the raw human sensation of what feeling alive means. Within these moving, multi-layered color spaces, the shifting perspectives in "Evidence of Time" evoke a deafening silence that is full of encapsulated felt emotions, building a profound bridge between the artist’s introspection and the world of the beholder, while unlocking the potential to recognize the self within the other. Ultimately, one must never forget that the canvas is also always looking back at you. Or perhaps it is not merely an external gaze, but rather you yourself, standing inside the painting, looking out, eyeing yourself and everything you are.