Arts Thread

Dan Liu
Art and Science MA

Central Saint Martins UAL

Graduates: 2026

Specialisms: Fine Art / Installation/Sculpture / Digital Arts

My location: London, United Kingdom

qidan-liu ArtsThread Profile
Central Saint Martins UAL

Dan Liu

qidan-liu ArtsThread Profile

First Name: Dan

Last Name: Liu

University / College: Central Saint Martins UAL

Course / Program: Art and Science MA

Graduates: 2026

Specialisms: Fine Art / Installation/Sculpture / Digital Arts

My Location: London, United Kingdom

Website: Click To See Website

About

I'm a Canadian artist based in London, working between steel, drawing and code.I began a painting apprenticeship in Beijing as a child and trained in fine art at The Fine Arts School Affiliated to the China Central Academy of Fine Arts. In Toronto, I studied digital media art at Seneca College and spent some twenty years in graphic design and print production before returning to my own practice — a BFA in Drawing & Painting at OCAD University and, this year, the MA in Art & Science at Central Saint Martins, UAL, both with distinction.My work circles one question: where the living stops and the fabricated begins. The Human-Machine series approaches it through drawing, using metallic colour as an industrial stand-in for flesh; Human-Machine: Möbius, my graduation work, moves it into three dimensions—a hand-welded steel loop drawn over its whole surface in one continuous direction, on a form with no inside or outside to separate.I move between materials rather than specializing in one: laser-engraved plywood reliefs, illuminated acrylic, and immersive pieces built in Unity, including In Between Cubes, a tesseract you can walk through. What holds them together is an interest in geometry that behaves in ways intuition doesn't predict.www.DanGraphics.ca

Human-Machine: Möbius

In recent years my practice has run through code, lasers and VR. Human-Machine: Möbius takes the opposite path: it is made entirely by hand. I welded steel sheets into a continuous, single-sided loop — 1.7 × 1.1 × 0.7 m, roughly the volume of a person — then drew across it in one unbroken direction, following the form as a kind of pilgrimage: creatures, plants and machinery massing around a human-shaped void. A Möbius loop has no inside or outside; the drawing closes on itself because the surface leaves it nowhere else to go. It evolves from my Human-Machine drawings: nature, humanity and their machinery entangled, on a surface caught between two and three dimensions.