Arts Thread

Morgan Sears-Williams
Visual Art MFA

University of British Columbia

Graduates: 2024

Specialisms: Film / Film & Animation

My location: Vancouver, Canada

morgan-sears-williams ArtsThread Profile
University of British Columbia

Morgan Sears-Williams

morgan-sears-williams ArtsThread Profile

First Name: Morgan

Last Name: Sears-Williams

University / College: University of British Columbia

Course / Program: Visual Art MFA

Graduates: 2024

Specialisms: Film / Film & Animation

My Location: Vancouver, Canada

Website: Click To See Website

About

Morgan is an interdisciplinary artist and cultivator based in Toronto and Vancouver. Her practice reflects themes of feminist queer histories and collective memory while speaking to larger societal structures of power, oppression and social constructions of space. Investigating the use of analog film both as a form of projected image and as a sculptural material, Morgan’s art practice focuses on how lived experiences inform queer aesthetics and articulations of memory and gender. Considering space and queerness through analog technologies, she creates experimental topographies through photographic film and moving images. Using organic film developers (also known as eco-processing) necessitates the artist to work directly with the film, resulting in an intimate collaboration among material, concept, and aesthetic. Integrating analog equipment into her installations, she challenges the masculinist fetichizing of these machines and insteads sees them as co-conspirators, objects that have their own agency, speaking to analog histories, and questions of access and sexism. Bridging eco-processing, experimental film and queer history (both personal and political) she aims to create intimate experiences for viewers to expand their ideas of queer space and time. Morgan’s efforts in queer place-making through experimental practices question contemporary and historical views of gender and sexuality within visual culture. She has exhibited her works in Toronto, Kingston and internationally and was the recipient of the Roloff Beny Award in 2022, Pandora Y. H. Ho Memorial Award and the Artscape Youngplace Career Launcher in 2017.In support of her artwork and research, Morgan received the graduate scholarship from the Social Sciences and Humanities Research Council in 2023, and has received grants from the Ontario Arts Council including the Chalmers Professional Development grant and the Career Catalyst in 2021. Morgan was a founding member of The Rude Collective, a queer arts collective amplifying voices of marginalized queer folks in Toronto. She is currently a graduate student in the Visual Arts program at the University of British Columbia.

through the bushes and the trees, you'll find me

​​Examining the physical and imaginary erosion occurring at Hanlan’s Point Beach on the Toronto Islands, Morgan Sears-Williams’ work is a vessel for both solitary and communal experiences. Hanlan’s Point Beach was the site of Canada’s first ever Pride celebration in 1971. As an important gathering place for the city’s queer community, it is Canada’s oldest queer space, and one of the oldest continuously queer spaces in the world. This project holds both joy and desire simultaneously, along with the grief and loss experienced in queer spaces through both personal and geological erosion. "through the bushes and the trees, you’ll find me" is a 16mm film collage combining two pieces of footage from Hanlan’s Point Beach: lovers kissing and Lake Ontario. The hole punch acts as a type of peephole, mirroring the cruising areas on the beach that allow for spectatorship or participation. The kissing footage is placed in the middle of images of Lake Ontario, the body of water surrounding Toronto islands. The choice to look at queer kissing is multifaceted, speaking to the histories of queer activism like the Toronto's kiss-in protests of the 1970s. Hole punching into the 16mm film negative speaks to histories of censorship and 'destroying' of film negatives. For instance, photo editors hole punching into the negative to reject images, effectively ‘destroying’ them and making them unusable. Or the Ontario Censor Board holding back or rejecting films based on their own ideas of what may or may not be harmful. Directly and significantly impacted queer artists whose works had queer themes. Included are installation shots at the Morris and Helen Belkin Gallery, May 2024.